Plenty, Plenty Soul
ORGM-1089
This superior reissue combines together two sessions led by vibraphonist Milt Jackson. The first side of Plenty, Plenty Soul, which features a nine-piece group, is highlighted by the contributions of the exuberant altoist Cannonball Adderley, while the flip side has a sextet that is not hurt by the solos of tenor-saxophonist Lucky Thompson. With pianist Horace Silver helping out on both sessions, these all-star dates still sound fresh and enthusiastic decades later. Mastered from original analog tapes and pressed on 180 gram vinyl, this is THE essential pressing of this classic album.
Soul Brothers
ORGM-1082
The rare opportunity to hear Milt Jackson step out from behind his familiar vibraphones to play piano, and partner Ray Charles, in addition to manning the 88s, blow on the alto saxophone for two numbers, shouldn't be missed. Particularly on this LP, which portrays the 1957 collaboration within a huge, naturally vibrant soundstage. Mastered from the original master tapes and press on 180 gram vinyl, this edition lays bare the relaxed, bluesy, often-boppish jazz on display from these two giants. With stellar support, the two headliners treat this affair as a backroom woodshedding session. Mastered by Bernie Grundman Studios.
At Storyville
ORGM-1058
Billie Holiday is captured live at Storyville in Boston in 1951 and 1953. The discreet recordings capture Lady Day in prime emotive voice. On most selections she is accompanied by the Carl Drinkard Trio, but six others find her joined by Buster Harding’s Trio; the great tenor Stan Getz sits in on three of these numbers. Previously out of press for over 25 years, this historic recording has now been remastered and pressed on audiophile-grade vinyl at Pallas Group in Germany.
Tracklist:
A1 I Cover The Waterfront
A2 Too Marvelous For Words
A3 I Love You Porgy
A4 Them There Eyes
A5 Willow Weep For Me
A6 I Only Have Eyes For You
A7 You Go To My Head
B1 He's Funny That Way
B2 Billie Blues
B3 Miss Brown To You
B4 Lover Come Back To Me
B5 Ain't Nobody's Business If I Do
B6 You're Driving Me Crazy
The Midnight Special: Live In Nottingham 1957
ORGM-2173-P
Born in Mississippi, “Big Bill Broonzy” – the name refers to his 6’ 6” physical stature – remains largely unsung as far as a household name, despite recording several hundred songs, many of which he wrote. From the late 1920s through the late 1950s, this immensely prolific blues performer won over fellow musicians and “race music” fans alike. As mentor to Muddy Waters and a major influence on artists like Eric Clapton, Keith Richards, and Rod Stewart, Broonzy’s impact on music cannot be understated. This solo performance captures Big Bill’s affable personality and ability to hold the attention of an appreciative audience with his storytelling, acoustic guitar licks, and a strong singing voice that leaves an indelible impression that this man had experiences in the fields, the factories, and the railroads. The record was mastered from original analog tape by Dave Gardner at Infrasonic Mastering, and pressed at Furnace Record Pressing. Liner notes by Larry Jaffee.
Mississippi Delta Blues
ORGM-2104
Best Of The Sun Records Sessions
ORGM-2071
Basin Street Blues
ORGM-2067
Shell Of A Girl
ORGM-2143
Released on the heels of her critically acclaimed 2018 album, With the Sun, Sunny War’s new album finds her a little bit older, a little bit more mature, but looking back on the rocky roads of her past with a surprising amount of nostalgia. Shell of a Girl was written in a burst of creativity in Los Angeles, and marks a new transition period, with Sunny moving from the Venice Beach boardwalk, where she first made her name, to the streets of downtown Los Angeles.
Recording again at Hen House Studios on Venice Beach with producer Harlan Steinberger and her musical collaborators Micah Nelson (Particle Kid), Aroyn Davis, Milo Gonzalez, Tato Melgar, Lesterfari Simbarashe, and Edith Crash rounding out the cast, Sunny moves freely between musical genres, anchored by her virtuosic, self-taught fingerstyle guitar work. Playing on a temperamental Guild acoustic guitar, that she’s named Big Baby for its tendency to squall and feedback, Sunny’s guitar work is as dazzling as ever, notes cascading out of the guitar in Art Tatumish flourishes.
Mastered by Bernie Grundman Mastering Studio.
Live In 1960
ORGM-2100
Big Blues
ORGM-2018
Flugelhornist Art Farmer and guitarist Jim Hall had a regular group for a time in the mid-’60s but (except for one occasion) had not played together since, until this 1978 LP. This is an unusual effort for CTI in that it is a quintet set without added horns, strings or keyboards. Farmer and Hall are joined by vibraphonist Mike Mainieri, bassist Michael Moore and drummer Steve Gadd for two standards, the title cut and a jazz adaptation of a piece by Ravel. Since Farmer and Hall have long had very complementary styles (both being lyrical, harmonically advanced and thoughtful in their improvisations), it is little surprise that this set is a complete success.
Now this classic recording gets ORG Music’s audiophile treatment with this 180gram double LP 45RPM reissue, mastered from original analog tapes by Bernie Grundman and pressed at Pallas Group in Germany. Each copy of this limited edition release will be individually numbered with a gold foil-stamp.
Boppin' The Blues
ORGM-1049
Pressed at Pallas in Germany on 180 gram vinyl. Triple LP version features 2 editions: 1LP 33rpm, 2LP 45rpm. Mastered at Bernie Grundman Mastering.
Right On Now! The Sounds Of Northern Soul White w/ Red and Blue Swirl Vinyl
ORGMRON0BL-LP00
Bunk Johnson & Leadbelly At New York Town Hall 1947
ORGM-2106
Trapped By A Thing Called Love
PREORDER
SHIPPING NOTICE: This is a presale item set to ship around 01/13/2025.ORGM-2304-HR
Denise LaSalle’s seminal debut LP for Westbound Records, released in 1972, introduced the world at large to a storming force in blues. At Westbound, Denise refined her Chicago Blues roots and recorded Trapped By A Thing Called Love, adding contemporary and soulful arrangements to her flawless songs. The result garnered huge hits, a massive fan base, and put Ms. LaSalle on track to being crowned “Queen Of The Blues.” It remains an undisputed classic of the genre. The album has been remastered by Dave Gardner for its first pressing in more half a century, as part of Org Music’s ongoing Westbound Records reissue series.
The reissue is out everywhere January 17th, 2025.
Tracklist:
A1 Trapped By a Thing Called Love
A2 Now Run and Tell That
A3 Heartbreaker of the Year
A4 Good Goody Getter
A5 Catch Me If You Can
B1 Hung Up, Strung Out
B2 Do Me Right
B3 The Deeper I Go (The Better It Gets)
B4 If You Should Loose Me
B5 Keep It Coming
B6 It’s Too Late
Heart & Soul
ORGM-2132-TB
Originally released in 1969, Heart & Soul is a stunning compilation of hits by American blues musician Johnny Adams. The 11-track album, produced by Shelby Singleton, contains various songs recorded between 1962 and 1968. The unique blending of 1960's gospel, soul, pop, blues, funk, and country has lead critics to deem the collection as some of Adams' finest and most astonishing work.
A1 Georgia Morning Dew 3:25
A2 In A Moment Of Weakness 2:35
A3 Real Live Living Hurtin' Man 3:10
A4 Lonely Man 2:37
A5 I Won't Cry 2:17
A6 Release Me 2:46
B1 Proud Woman 2:40
B2 I Can't Be All Bad 3:04
B3 A Losing Battle 2:23
B4 Living On Your Love 1:45
B5 Reconsider Me 3:50
The Viscaynes & Friends
ORGM-2111
Memphis Breakdown
ORGM-2103
The Giver
ORGM-2114-G
Primal Prayer
ORGM-2141-CD
Presenting… The Ad Libs
ADLIPTALPP-LP00
The Ad Libs, a phenomenal yet under-appreciated American vocal group hailing from Hudson County, NJ, had their first and only smash hit within their first year as a group, with ‘The Boy From New York City.’ Though several other singles from the doo-wop group landed on the Billboard R&B chart’s, The Ad Libs never released a full length album. Presenting The Ad Libs is the group’s debut album that never happened. A collection of singles, b-sides, and unused studio cuts come together to show the 1960’s soul singers in a whole new light. The tracks were remastered for vinyl at Infrasonic Mastering and pressed at Pallas Group in Germany on purple color vinyl.