The rare opportunity to hear Milt Jackson step out from behind his familiar vibraphones to play piano, and partner Ray Charles, in addition to manning the 88s, blow on the alto saxophone for two numbers, shouldn't be missed. Particularly on this LP, which portrays the 1957 collaboration within a huge, naturally vibrant soundstage. Mastered from the original master tapes and press on 180 gram vinyl, this edition lays bare the relaxed, bluesy, often-boppish jazz on display from these two giants. With stellar support, the two headliners treat this affair as a backroom woodshedding session. Mastered by Bernie Grundman Studios.
This superior reissue combines together two sessions led by vibraphonist Milt Jackson. The first side of Plenty, Plenty Soul, which features a nine-piece group, is highlighted by the contributions of the exuberant altoist Cannonball Adderley, while the flip side has a sextet that is not hurt by the solos of tenor-saxophonist Lucky Thompson. With pianist Horace Silver helping out on both sessions, these all-star dates still sound fresh and enthusiastic decades later. Mastered from original analog tapes and pressed on 180 gram vinyl, this is THE essential pressing of this classic album.
Tracklist Side A More Than 2 Sides (Hillyard) Measure of a Man (Sherley) Now That You Know (Wheeler / Pitman) The Giver (Hillyard / Wheeler) Somebody Done Changed The Lock on My Door (Weldon) Song of the Underground Railroad (Traditional arr. Hillyard)
Side B Home is Where the Hatred Is (Scott-Heron) Take a Chance on Me (Hillyard) Ulysses (Hillyard) Someone Else’s Love Song (Hillyard) Dark Before Dawn (Hillyard)
Personnel: David Hillyard – Tenor and Baritone Saxophones, Backing Vocals on 5 Larry McDonald – Percussion Jimmy Boom – Drums Chiquis Lozoya – Bass, Backing Vocals on 2-5, 8-10 Devin Morrison – Guitar Ray Jacildo – Organ, Piano Sean Wheeler – Lead Vocals on 2-5, 7-10 Alex Desert – Backing Vocals on 2-5, 8-10 Glen Pine – Trombone on 1-3, 7 Buford O’Sullivan – Trombone on 5, 8, 10,11 Luigi De Gaspari – Trombone, Bass Trombone on 4, 6, 10 Rich Graiko – Trumpet on 1, 6, 7, 8, 10 Rolf Langsjoen – Trumpet on 2,4, 5 Tommy Mattioli – Balafon on 6, Vibraphone on 7,10,11 Jayson Nugent – Pick Guitar on 4 , 7 Micah Nelson – Harmonica on 9
Recorded at Hen House Studios by Harlan Steinberger.
Additional overdubs recorded by David Hillyard at Studio Slack, Nico Leonard at Pum Pum Hotel, Luigi De Gaspari, Buford O’Sullivan, Ray Jacildo, and Rich Graiko.
All songs mixed by Harlan Steinberger at Hen House Studios.
Produced by David Hillyard, Andrew Rossiter, and Harlan Steinberger.
Mastering by Bernie Grundman.
Photos of Larry McDonald & David Hillyard by Kristin Laughter
Photo of Sean Wheeler by Brian Kasnyik.
Cover art design and layout by Jeremy Lublin
Special Thanks to: All our families, All the musicians who played on the album, Harlan Steinberger and Hen House Studios, Andrew Rossiter at Org Music, and all the Rocksteady 7 band members worldwide, past and present.
Sister Rosetta Tharpe was the first great recording star of gospel music and among the first gospel musicians to appeal to rhythm-and-blues and rock-and-roll audiences, later being referred to as "the original soul sister" and "the godmother of rock and roll". This live recording from 1960 had never been on vinyl, until now, a whole 57 years later. The set has plenty of variety, lots of sincere feeling, and high levels of musicianship from the unique performer. Highlights include "He's Got the Whole World In His Hands," "Didn't It Rain," "The Gospel Train" and "Down By the Riverside." The album was remastered for vinyl from analog tape and pressed at Pallas Group in Germany.
Track List A1 Can’t Sit Down 1:50 A2 He’s Got the Whole World in His Hands 1:54 A3 Vacation in the Sky 5:26 A4 Didn’t It Rain 2:17 A5 Can’t No Grave Hold My Body Down 3:19 A6 Two Little Fishes, Five Loaves of Bread 5:03 A7 The Gospel Train 5:09 B1 Precious Lord 4:28 B2 Down by the Riverside 3:10 B3 Mansion in the Sky 4:58 B4 Is Everybody Happy? 3:26 B5 Peace in the Valley 5:31
As Ron Wynn wrote for AllMusic, “Fred McDowell played simple, haunting blues with vivid, demonstrative passion and power.” This is music that owes nothing to artifice, but simply makes its impact through the total honesty of the performer. Of all the blues singers of the older school who have been discovered or rediscovered in recent years, McDowell may well be the most impressive, and this LP affords ample proof of his stature. “Mississippi Delta Blues” was recorded in Como, Mississippi, late in 1965, by producer Alan Bates. The LP was originally issued by Bate’s Black Lion label in 1965. It has now been remastered by Infrasonic Mastering, and pressed on audiophile-grade vinyl at Pallas Group in Germany.
Track List A1 Some Day Baby A2 Milk Cow Blues A3 The Train Ride A4 Over The Hill B1 Goin' Down To The River B2 I Wished I Were In Heaven Sitting Down B3 Louise
Howlin’ Wolf recorded some of his finest work while in Memphis, TN with legendary producer and Sun Records founder, Sam Phillips. This album features the very best of those sessions from 1951 and 1952, all in one place. The recordings were remastered and pressed on audiophile-grade vinyl at Pallas Group in Germany.
Tracks:
A1 All In The Mood
A2 Bluebird
A3 Drinkin' C V Wine
A4 Mr. Highway Man
A5 Chocolate Drop
A6 Well That's Alright
A7 I Got A Woman
B1 Oh Red
B2 My Troubles And Me
B3 Dorothy Mae
B4 Come Back Walked Home
B5 My Baby Walked Off
B6 Getting Old And Grey
B7 My Last Affair
Billie Holiday is captured live at Storyville in Boston in 1951 and 1953. The discreet recordings capture Lady Day in prime emotive voice. On most selections she is accompanied by the Carl Drinkard Trio, but six others find her joined by Buster Harding’s Trio; the great tenor Stan Getz sits in on three of these numbers. Previously out of press for over 25 years, this historic recording has now been remastered and pressed on audiophile-grade vinyl at Pallas Group in Germany.
Tracklist:
A1 I Cover The Waterfront A2 Too Marvelous For Words A3 I Love You Porgy A4 Them There Eyes A5 Willow Weep For Me A6 I Only Have Eyes For You A7 You Go To My Head B1 He's Funny That Way B2 Billie Blues B3 Miss Brown To You B4 Lover Come Back To Me B5 Ain't Nobody's Business If I Do B6 You're Driving Me Crazy
Released on the heels of her critically acclaimed 2018 album, With the Sun, Sunny War’s new album finds her a little bit older, a little bit more mature, but looking back on the rocky roads of her past with a surprising amount of nostalgia. Shell of a Girl was written in a burst of creativity in Los Angeles, and marks a new transition period, with Sunny moving from the Venice Beach boardwalk, where she first made her name, to the streets of downtown Los Angeles.
Recording again at Hen House Studios on Venice Beach with producer Harlan Steinberger and her musical collaborators Micah Nelson (Particle Kid), Aroyn Davis, Milo Gonzalez, Tato Melgar, Lesterfari Simbarashe, and Edith Crash rounding out the cast, Sunny moves freely between musical genres, anchored by her virtuosic, self-taught fingerstyle guitar work. Playing on a temperamental Guild acoustic guitar, that she’s named Big Baby for its tendency to squall and feedback, Sunny’s guitar work is as dazzling as ever, notes cascading out of the guitar in Art Tatumish flourishes.
Born in Mississippi, “Big Bill Broonzy” – the name refers to his 6’ 6” physical stature – remains largely unsung as far as a household name, despite recording several hundred songs, many of which he wrote. From the late 1920s through the late 1950s, this immensely prolific blues performer won over fellow musicians and “race music” fans alike. As mentor to Muddy Waters and a major influence on artists like Eric Clapton, Keith Richards, and Rod Stewart, Broonzy’s impact on music cannot be understated. This solo performance captures Big Bill’s affable personality and ability to hold the attention of an appreciative audience with his storytelling, acoustic guitar licks, and a strong singing voice that leaves an indelible impression that this man had experiences in the fields, the factories, and the railroads. The record was mastered from original analog tape by Dave Gardner at Infrasonic Mastering, and pressed at Furnace Record Pressing. Liner notes by Larry Jaffee.
Track List: A1 This Train A2 Trouble In Mind A3 Willie Mae A4 In The Evening A5 Glory Of Love A6 The Midnight Special A7 What Kind Of Man Jesus Is B1 Keep Your Hands Off It B2 Nobody's Business B3 Hey! Bub B4 The Feasting Table B5 C.C. Rider B6 Swing Low, Sweet Chariot B7 Goodnight Irene
Louis Armstrong and his All-Stars are captured in rare form during this live recording from 1956, which is finally making its vinyl debut with this 180gram pressing. The album features a great collection of tunes which had become staples of Armstrong's live shows, including his perennial opener, "Indiana"; the crowd favorite, "Tiger Rag"; the always joyful, "When The Saints Go Marching In"; and the great title-track, "Basin Street Blues". Satch's frontline band at the time boasted the very distinctive sounds of trombonist Trummy Young and clarinetist Ed Hall.
SIDE A 1 When It's Sleepy Time Down South (René/René/Muse) 2 Indiana (MacDonald/Hanley) 3 The Gypsy (Reid) 4 Basin Street Blues (Williams)
SIDE B 1 Tiger Rag (LaRocca) 2 Struttin' With Some Barbecue (Armstrong) 3 Do You Know What It Means To Miss New Orleans? (DeLange/Alter) 4 On The Sunny Side Of The Street (Fields/McHugh) 5 When The Saints Go Marching In (Traditional)
Flugelhornist Art Farmer and guitarist Jim Hall had a regular group for a time in the mid-’60s but (except for one occasion) had not played together since, until this 1978 LP. This is an unusual effort for CTI in that it is a quintet set without added horns, strings or keyboards. Farmer and Hall are joined by vibraphonist Mike Mainieri, bassist Michael Moore and drummer Steve Gadd for two standards, the title cut and a jazz adaptation of a piece by Ravel. Since Farmer and Hall have long had very complementary styles (both being lyrical, harmonically advanced and thoughtful in their improvisations), it is little surprise that this set is a complete success.
Now this classic recording gets ORG Music’s audiophile treatment with this 180gram double LP 45RPM reissue, mastered from original analog tapes by Bernie Grundman and pressed at Pallas Group in Germany. Each copy of this limited edition release will be individually numbered with a gold foil-stamp.
"Whisper Not" (Benny Golson) - 8:44
"A Child Is Born" (Thad Jones) - 7:40
"Big Blues" (Jim Hall) - 7:23
"Pavane for a Dead Princess" (Maurice Ravel) - 10:50
Right On Now! The Sounds Of Northern Soul White w/ Red and Blue Swirl Vinyl
ORGMRON0BL-LP00
Regular price
$26.00
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Gangway! Open the dance floor! This record is sure to get you on your feet. From Ike & Tina to Bettye LaVette, your Cuban heeled soles are sure to be worn through by the end of side B. This essential collection of rare northern soul tracks was curated from catalogs like Calla, Atco, Loma, and Jubilee. The tracks were remastered for vinyl at Infrasonic Mastering and pressed at Pallas in Germany, on a white, red, and blue swirl color vinyl.
Track List
Side A
A1 Feel Good All Over
A2 Don’t Forget About Me Baby
A3 With My Love and What You’ve Got
A4 Burning Fire
A5 Git It
A6 Never Let Me Go
A7 Tired of Being Nobody
A8 Coming Home To You Baby
Side B:
B1 I’m Through with Love
B2 Don’t You Even Care
B3 You’re Such a Sweet Thing
B4 That Ain’t Right
B5 What’s Gonna Happen to Me
B6 Across the Street
B7 Bella Dalena
B8 Good Lovin’
Bunk Johnson & Leadbelly At New York Town Hall 1947
BUNKNYTHBL-LP00
Regular price
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Pressed to vinyl for the first time, this live, double LP, filled with a set of players from all over the jazz, folk, and blues genres, is a great listen for any collector. Featuring arists like Omer Simeon, Jimmy Archey, Ralph Sutton, Freddie Moore, and many more, this Bunk Johnson and Leadbelly collaborative album is definitely one for the books. Mastered by Dave Gardner at Infrasonic Mastering.
Track List: 1. Introduction 2. Good Morning Blues [V Ledbetter] 3. When the Saints Go Marching In 4. Tiger Rag 5. Panama 6. Ain't Misbehavin' 7. Ja-Da 8. Reprise 9. Muskrat Ramble 10. Someday, Sweetheart 11. Sister Kate [V Moore] 12. Baby Please Come Home [V Moore] 13. Reprise [V Moore] 14. Basin Street Blues 15. Royal Garden Blues 16. Yellow Gal [V Ledbetter] 17. Bottle up and Go [V Ledbetter] 18. Jazz Me Blues 19. After You've Gone 20. Finale [V Mama Price]
Tracklist Side A More Than 2 Sides (Hillyard) Measure of a Man (Sherley) Now That You Know (Wheeler / Pitman) The Giver (Hillyard / Wheeler) Somebody Done Changed The Lock on My Door (Weldon) Song of the Underground Railroad (Traditional arr. Hillyard)
Side B Home is Where the Hatred Is (Scott-Heron) Take a Chance on Me (Hillyard) Ulysses (Hillyard) Someone Else’s Love Song (Hillyard) Dark Before Dawn (Hillyard)
Personnel: David Hillyard – Tenor and Baritone Saxophones, Backing Vocals on 5 Larry McDonald – Percussion Jimmy Boom – Drums Chiquis Lozoya – Bass, Backing Vocals on 2-5, 8-10 Devin Morrison – Guitar Ray Jacildo – Organ, Piano Sean Wheeler – Lead Vocals on 2-5, 7-10 Alex Desert – Backing Vocals on 2-5, 8-10 Glen Pine – Trombone on 1-3, 7 Buford O’Sullivan – Trombone on 5, 8, 10,11 Luigi De Gaspari – Trombone, Bass Trombone on 4, 6, 10 Rich Graiko – Trumpet on 1, 6, 7, 8, 10 Rolf Langsjoen – Trumpet on 2,4, 5 Tommy Mattioli – Balafon on 6, Vibraphone on 7,10,11 Jayson Nugent – Pick Guitar on 4 , 7 Micah Nelson – Harmonica on 9
Recorded at Hen House Studios by Harlan Steinberger.
Additional overdubs recorded by David Hillyard at Studio Slack, Nico Leonard at Pum Pum Hotel, Luigi De Gaspari, Buford O’Sullivan, Ray Jacildo, and Rich Graiko.
All songs mixed by Harlan Steinberger at Hen House Studios.
Produced by David Hillyard, Andrew Rossiter, and Harlan Steinberger.
Mastering by Bernie Grundman.
Photos of Larry McDonald & David Hillyard by Kristin Laughter
Photo of Sean Wheeler by Brian Kasnyik.
Cover art design and layout by Jeremy Lublin
Special Thanks to: All our families, All the musicians who played on the album, Harlan Steinberger and Hen House Studios, Andrew Rossiter at Org Music, and all the Rocksteady 7 band members worldwide, past and present.
Doctor Ross, also known as "Doctor Ross the Harmonica Boss", made his reputation as a bluesman in Memphis before moving to Michigan. During the early '50s, Ross recorded his first sides, including "Chicago Breakdown”, with Sam Phillips at Sun Records. This compilation, Memphis Breakdown, compiles the best of those early Memphis sessions all in one place, remastered for vinyl.
Track List: A1 Chicago Breakdown A2 Boogie Disease A3 Polly Put the Kettle On A4 Juke box boogie A5 Terra Mae A6 Feel So Sad A7 Texas Hop B1 That’s All Right B2 Cat´s Squirrel B3 Industrial Boogie B4 Left Job Boogie B5 That Ain’t Right B6 1953 Jump B7 Come Back Baby
Formed in Vallejo, California in the 1950's, The Viscaynes were a high school doo-wop group who are said to be the first recorded singing group of Sylvester Stewart (aka Sly Stone), and the launching point of his extensive career. The group gained some early notoriety with a performance on Dick Stewart's Dance Party, after which they were introduced to producer George Motola. Charting on KYA radio's top 60 chart in 1961, "Yellow Moon" became a hit song for The Viscaynes, though they split up around the time of the song's popularity. "The Viscaynes & Friends" is the first official full-length release from the group, coming to light only after a master tape reel was discovered more than half a century since the group disbanded. The release features seven tracks from Sly and The Viscaynes, along with one cut from the The Individuals and two from The Precisions, all of which were produced by Motola.
The vinyl release comes in a gatefold jacket with extensive liner notes from author, historian, and radio host Rickey Vincent.
TRACK LIST A1 Help Me With My Broken Heart A2 Without Success A3 You've Forgotten Me A4 Yellow Moon A5 Mama Told Me B1You're My Only Love B2 A Long Time Alone B3 Uncle Sam Needs You B4 Heavenly Angel B5 Eight Reasons Why
Doctor Ross, also known as "Doctor Ross the Harmonica Boss", made his reputation as a bluesman in Memphis before moving to Michigan. During the early '50s, Ross recorded his first sides, including "Chicago Breakdown”, with Sam Phillips at Sun Records. This compilation, Memphis Breakdown, compiles the best of those early Memphis sessions all in one place, remastered for vinyl.
Track List: Chicago Breakdown Boogie Disease Polly Put the Kettle On Juke box boogie Terra Mae Feel So Sad Texas Hop That’s All Right Cat´s Squirrel Industrial Boogie Left Job Boogie That Ain’t Right 1953 Jump Come Back Baby
The Ad Libs, a phenomenal yet under-appreciated American vocal group hailing from Hudson County, NJ, had their first and only smash hit within their first year as a group, with ‘The Boy From New York City.’ Though several other singles from the doo-wop group landed on the Billboard R&B chart’s, The Ad Libs never released a full length album. Presenting The Ad Libs is the group’s debut album that never happened. A collection of singles, b-sides, and unused studio cuts come together to show the 1960’s soul singers in a whole new light. The tracks were remastered for vinyl at Infrasonic Mastering and pressed at Pallas Group in Germany on purple color vinyl.
Tracklist Side A
More Than 2 Sides (Hillyard)
Measure of a Man (Sherley)
Now That You Know (Wheeler / Pitman)
The Giver (Hillyard / Wheeler)
Somebody Done Changed The Lock on My Door (Weldon)
Song of the Underground Railroad (Traditional arr. Hillyard)
Side B
Home is Where the Hatred Is (Scott-Heron)
Take a Chance on Me (Hillyard)
Ulysses (Hillyard)
Someone Else’s Love Song (Hillyard)
Dark Before Dawn (Hillyard)
Personnel:
David Hillyard – Tenor and Baritone Saxophones, Backing Vocals on 5
Larry McDonald – Percussion
Jimmy Boom – Drums
Chiquis Lozoya – Bass, Backing Vocals on 2-5, 8-10
Devin Morrison – Guitar
Ray Jacildo – Organ, Piano
Sean Wheeler – Lead Vocals on 2-5, 7-10
Alex Desert – Backing Vocals on 2-5, 8-10
Glen Pine – Trombone on 1-3, 7
Buford O’Sullivan – Trombone on 5, 8, 10,11
Luigi De Gaspari – Trombone, Bass Trombone on 4, 6, 10
Rich Graiko – Trumpet on 1, 6, 7, 8, 10
Rolf Langsjoen – Trumpet on 2,4, 5
Tommy Mattioli – Balafon on 6, Vibraphone on 7,10,11
Jayson Nugent – Pick Guitar on 4 , 7
Micah Nelson – Harmonica on 9
Recorded at Hen House Studios by Harlan Steinberger.
Additional overdubs recorded by David Hillyard at Studio Slack, Nico Leonard at Pum Pum Hotel, Luigi De Gaspari, Buford O’Sullivan, Ray Jacildo, and Rich Graiko.
All songs mixed by Harlan Steinberger at Hen House Studios.
Produced by David Hillyard, Andrew Rossiter, and Harlan Steinberger.
Mastering by Bernie Grundman.
Photos of Larry McDonald & David Hillyard by Kristin Laughter
Photo of Sean Wheeler by Brian Kasnyik.
Cover art design and layout by Jeremy Lublin
Special Thanks to: All our families, All the musicians who played on the album, Harlan Steinberger and Hen House Studios, Andrew Rossiter at Org Music, and all the Rocksteady 7 band members worldwide, past and present.
Album Release Date Is June 1st 2018
Mockups are not actual representations of presale items, actual items may vary. Shipping date subject to change.
Tracklist Side A More Than 2 Sides (Hillyard) Measure of a Man (Sherley) Now That You Know (Wheeler / Pitman) The Giver (Hillyard / Wheeler) Somebody Done Changed The Lock on My Door (Weldon) Song of the Underground Railroad (Traditional arr. Hillyard)
Side B Home is Where the Hatred Is (Scott-Heron) Take a Chance on Me (Hillyard) Ulysses (Hillyard) Someone Else’s Love Song (Hillyard) Dark Before Dawn (Hillyard)
Personnel: David Hillyard – Tenor and Baritone Saxophones, Backing Vocals on 5 Larry McDonald – Percussion Jimmy Boom – Drums Chiquis Lozoya – Bass, Backing Vocals on 2-5, 8-10 Devin Morrison – Guitar Ray Jacildo – Organ, Piano Sean Wheeler – Lead Vocals on 2-5, 7-10 Alex Desert – Backing Vocals on 2-5, 8-10 Glen Pine – Trombone on 1-3, 7 Buford O’Sullivan – Trombone on 5, 8, 10,11 Luigi De Gaspari – Trombone, Bass Trombone on 4, 6, 10 Rich Graiko – Trumpet on 1, 6, 7, 8, 10 Rolf Langsjoen – Trumpet on 2,4, 5 Tommy Mattioli – Balafon on 6, Vibraphone on 7,10,11 Jayson Nugent – Pick Guitar on 4 , 7 Micah Nelson – Harmonica on 9
Recorded at Hen House Studios by Harlan Steinberger.
Additional overdubs recorded by David Hillyard at Studio Slack, Nico Leonard at Pum Pum Hotel, Luigi De Gaspari, Buford O’Sullivan, Ray Jacildo, and Rich Graiko.
All songs mixed by Harlan Steinberger at Hen House Studios.
Produced by David Hillyard, Andrew Rossiter, and Harlan Steinberger.
Mastering by Bernie Grundman.
Photos of Larry McDonald & David Hillyard by Kristin Laughter
Photo of Sean Wheeler by Brian Kasnyik.
Cover art design and layout by Jeremy Lublin
Special Thanks to: All our families, All the musicians who played on the album, Harlan Steinberger and Hen House Studios, Andrew Rossiter at Org Music, and all the Rocksteady 7 band members worldwide, past and present.
Formed in Vallejo, California in the 1950's, The Viscaynes were a high school doo-wop group who are said to be the first recorded singing group of Sylvester Stewart (aka Sly Stone), and the launching point of his extensive career. The group gained some early notoriety with a performance on Dick Stewart's Dance Party, after which they were introduced to producer George Motola. Charting on KYA radio's top 60 chart in 1961, "Yellow Moon" became a hit song for The Viscaynes, though they split up around the time of the song's popularity. "The Viscaynes & Friends" is the first official full-length release from the group, coming to light only after a master tape reel was discovered more than half a century since the group disbanded. The release features seven tracks from Sly and The Viscaynes, along with one cut from the The Individuals and two from The Precisions, all of which were produced by Motola.
TRACK LIST 1. Help Me With My Broken Heart 2. Without Success 3. You've Forgotten Me 4. Yellow Moon 5. Mama Told Me 6. You're My Only Love 7. A Long Time Alone 8. Uncle Sam Needs You 9. Heavenly Angel 10. Eight Reasons Why
Flugelhornist Art Farmer and guitarist Jim Hall had a regular group for a time in the mid-’60s but (except for one occasion) had not played together since, until this 1978 LP. This is an unusual effort for CTI in that it is a quintet set without added horns, strings or keyboards. Farmer and Hall are joined by vibraphonist Mike Mainieri, bassist Michael Moore and drummer Steve Gadd for two standards, the title cut and a jazz adaptation of a piece by Ravel. Since Farmer and Hall have long had very complementary styles (both being lyrical, harmonically advanced and thoughtful in their improvisations), it is little surprise that this set is a complete success.
Now this classic recording gets ORG Music’s audiophile treatment with this 180gram LP reissue, mastered from original analog tapes by Bernie Grundman and pressed at Pallas Group in Germany.
Track:
1."Whisper Not" (Benny Golson)
2."A Child Is Born" (Thad Jones)
3."Big Blues" (Jim Hall)
4."Pavane for a Dead Princess" (Maurice Ravel)
